The severe, linear, monochromatic collection that Bill Gaytten showed for John Galliano today felt like a very deliberate repudiation of the label's legacy of languid glamour and heady romance. "I'm not a soft, romantic person," Gaytten said dismissively.

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by 胡文 | 2013-08-07

It's hard to go terribly wrong when Françoise Hardy is your reference. But Lydia Maurer went a lot further than channeling the French star's soigné style. She delivered a sharp, tightly edited collection that connected the early years of Paco Raban

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by 胡文 | 2013-05-31

Resort was a game changer for Juan Carlos Obando, whose shockingly bright silk dresses—much like the "Miami" pink one Viola Davis wore earlier this week at the Academy Awards Nominations Luncheon—nearly sold out at Barneys across the country.

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by 胡文 | 2013-05-31

Jeremy Scott may be fashion's ultimate divisive/inclusive designer. There are plenty in the stiff-upper-lip echelons of the industry who dismiss him. There are as many others who find his manic joy infectious. It's hard to imagine another designer who cou

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by 胡文 | 2013-05-31

Only Jean-Charles de Castelbajac could create a collection called Foxy Lady and proceed to include a print of John Everett Millais' drowning Ophelia. But she didn't actually rear her half-submerged head until toward the end of the show, which began on a c

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by 胡文 | 2013-05-31

Jean Paul Gaultier put on his show tonight in the 17th's Salle Wagram, a venue that is for all intents and purposes his historical home, where he presented some of the most famous and memorable collections of the eighties and nineties. Location is everyth

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