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San Francisco Museum of Modern Art
USINFO | 2013-05-23 15:53
The San Francisco Museum of Modern Art (SFMOMA) is a modern art museum located in San Francisco, California. A nonprofit organization, SFMOMA holds an internationally recognized collection of modern and contemporary art and was the first museum on the West Coast devoted solely to 20th century art. The museum’s current collection includes over 26,000 works of painting, sculpture, photography, architecture, design, and media arts. The building complex was designed by Swiss architect Mario Botta.
SFMOMA's Research Library was established in 1935 and contains extensive resources pertaining to modern and contemporary art, including books, periodicals, artists’ files, and lecture recordings. The museum also houses a restaurant, Caffè Museo, and a coffee bar run by the Blue Bottle Coffee Company.
History
SFMOMA was founded in 1935 under director Grace L. McCann Morley as the San Francisco Museum of Art. For its first sixty years, the museum occupied the fourth floor of the War Memorial Veterans Building on Van Ness Avenue in the Civic Center. A gift of 36 artworks from Albert M. Bender, including The Flower Carrier (1935) by Diego Rivera, established the basis of the permanent collection. Bender donated more than 1,100 objects to SFMOMA during his lifetime and endowed the museum's first purchase fund.
The museum began its second year with an exhibition of works by Henri Matisse. In this same year the museum established its photography collection, becoming one of the first museums to recognize photography as a fine art. SFMOMA held its first architecture exhibition, entitled Telesis: Space for Living, in 1940. SFMOMA was obliged to move to a temporary facility on Post Street in March 1945 to make way for the United Nations Conference on International Organization. The museum returned to its original Van Ness location in July, upon the signing of the United Nations Charter. Later that year SFMOMA hosted Jackson Pollock's first solo museum exhibition.
Founding director Grace Morley held film screenings at the museum beginning in 1937, just two years after the institution opened. In 1946 Morley brought in filmmaker Frank Stauffacher to found SFMOMA’s influential Art in Cinema film series, which ran for nine years. SFMOMA continued its expansion into new media with the 1951 launch of a biweekly television program entitled Art in Your Life. The series, later renamed Discovery, ran for three years. Morley ended her 23-year tenure as museum director in 1958 and was succeeded by George D. Culler (1958–65) and Gerald Nordland (1966–72). The museum rose to international prominence under director Henry T. Hopkins (1974–86), adding "Modern" to its title in 1975. Since 1967, SFMOMA has honored San Francisco Bay Area artists with its biennial SECA Art Award.
In the 1980s, under Hopkins and his successor John R. Lane (1987–1997), SFMOMA established three new curatorial posts: curator of painting and sculpture, curator of architecture and design, and curator of media arts. The positions of director of education and director of photography were elevated to full curatorial roles. At this time SFMOMA took on an active special exhibitions program, both organizing and hosting traveling exhibitions., including major presentations of the work of Jeff Koons, Sigmar Polke, and Willem de Kooning.
Until the opening of the Museum of Contemporary Art, Los Angeles in 1987 and the modern and contemporary wing of the Los Angeles County Museum of Art, San Francisco's museum tended to function as the state's flagship for modern and contemporary art. In January 1995 the museum opened its current location at 151 Third Street, adjacent to Yerba Buena Gardens in the SOMA district. Mario Botta, a Swiss architect from Canton Ticino, designed the new US$60 million facility. Art patron Phyllis Wattis helped the museum acquire key works by Magritte, Mondrian, Andy Warhol, Eva Hesse and Wayne Thiebaud.
SFMOMA made a number of important acquisitions under the direction of David A. Ross (1998–2001), who had been recruited from the Whitney Museum in New York, including works by Ellsworth Kelly, Robert Rauschenberg, René Magritte, and Piet Mondrian, as well as Marcel Duchamp’s iconic Fountain (1917/1964). Those and acquisitions of works by Jasper Johns, Mark Rothko, Francis Bacon, Alexander Calder, Chuck Close and Frank Stella put the institution in the top ranks of American museums of modern art. After three years and $140 million building up the collection, Ross resigned when a slow economy was forcing the museum to keep a tighter rein on its resources. Under current director Neal Benezra, who had been recruited from the Art Institute of Chicago in 2002, SFMOMA has seen an increase in both visitor numbers and membership while continuing to build its collection.
Collections, exhibitions, and programs
Founded in 1935, SFMOMA has built a reputation as a premier institution for contemporary art. Jackson Pollock had his first museum show there, as did Clyfford Still and Arshile Gorky. The museum has in its collection important works by Andy Warhol, Jackson Pollock, Richard Diebenkorn, Still, Henri Matisse, Paul Klee, Marcel Duchamp and Ansel Adams, among others. Annually, the museum hosts more than twenty exhibitions and over three hundred educational programs.
In 2009, the museum gained a custodial relationship for the important contemporary art collection of Doris and Donald Fisher of The Gap. The Fisher Collection includes some 1,100 works from artists such as Alexander Calder, Chuck Close, Willem de Kooning, Richard Diebenkorn, Anselm Kiefer, Ellsworth Kelly, Roy Lichtenstein, Brice Marden, Agnes Martin, Gerhard Richter, Richard Serra, Cy Twombly, and Andy Warhol, among many others. The collection will be on loan to SFMOMA for a period of 100 years.
In February 2011, the acquisition of 195 new works was announced, including paintings from Jackson Pollock, Willem de Kooning, Jasper Johns, Robert Rauschenberg and Francis Bacon. The works will be displayed along with the Fisher collection upon the museum's expansion, slated to be completed in 2016.
In 2008, the museum launched a re-designed website which enables users to browse the museum's permanent collection.
SFMOMA's Research Library was established in 1935 and contains extensive resources pertaining to modern and contemporary art, including books, periodicals, artists’ files, and lecture recordings. The museum also houses a restaurant, Caffè Museo, and a coffee bar run by the Blue Bottle Coffee Company.
History
SFMOMA was founded in 1935 under director Grace L. McCann Morley as the San Francisco Museum of Art. For its first sixty years, the museum occupied the fourth floor of the War Memorial Veterans Building on Van Ness Avenue in the Civic Center. A gift of 36 artworks from Albert M. Bender, including The Flower Carrier (1935) by Diego Rivera, established the basis of the permanent collection. Bender donated more than 1,100 objects to SFMOMA during his lifetime and endowed the museum's first purchase fund.
The museum began its second year with an exhibition of works by Henri Matisse. In this same year the museum established its photography collection, becoming one of the first museums to recognize photography as a fine art. SFMOMA held its first architecture exhibition, entitled Telesis: Space for Living, in 1940. SFMOMA was obliged to move to a temporary facility on Post Street in March 1945 to make way for the United Nations Conference on International Organization. The museum returned to its original Van Ness location in July, upon the signing of the United Nations Charter. Later that year SFMOMA hosted Jackson Pollock's first solo museum exhibition.
Founding director Grace Morley held film screenings at the museum beginning in 1937, just two years after the institution opened. In 1946 Morley brought in filmmaker Frank Stauffacher to found SFMOMA’s influential Art in Cinema film series, which ran for nine years. SFMOMA continued its expansion into new media with the 1951 launch of a biweekly television program entitled Art in Your Life. The series, later renamed Discovery, ran for three years. Morley ended her 23-year tenure as museum director in 1958 and was succeeded by George D. Culler (1958–65) and Gerald Nordland (1966–72). The museum rose to international prominence under director Henry T. Hopkins (1974–86), adding "Modern" to its title in 1975. Since 1967, SFMOMA has honored San Francisco Bay Area artists with its biennial SECA Art Award.
In the 1980s, under Hopkins and his successor John R. Lane (1987–1997), SFMOMA established three new curatorial posts: curator of painting and sculpture, curator of architecture and design, and curator of media arts. The positions of director of education and director of photography were elevated to full curatorial roles. At this time SFMOMA took on an active special exhibitions program, both organizing and hosting traveling exhibitions., including major presentations of the work of Jeff Koons, Sigmar Polke, and Willem de Kooning.
Until the opening of the Museum of Contemporary Art, Los Angeles in 1987 and the modern and contemporary wing of the Los Angeles County Museum of Art, San Francisco's museum tended to function as the state's flagship for modern and contemporary art. In January 1995 the museum opened its current location at 151 Third Street, adjacent to Yerba Buena Gardens in the SOMA district. Mario Botta, a Swiss architect from Canton Ticino, designed the new US$60 million facility. Art patron Phyllis Wattis helped the museum acquire key works by Magritte, Mondrian, Andy Warhol, Eva Hesse and Wayne Thiebaud.
SFMOMA made a number of important acquisitions under the direction of David A. Ross (1998–2001), who had been recruited from the Whitney Museum in New York, including works by Ellsworth Kelly, Robert Rauschenberg, René Magritte, and Piet Mondrian, as well as Marcel Duchamp’s iconic Fountain (1917/1964). Those and acquisitions of works by Jasper Johns, Mark Rothko, Francis Bacon, Alexander Calder, Chuck Close and Frank Stella put the institution in the top ranks of American museums of modern art. After three years and $140 million building up the collection, Ross resigned when a slow economy was forcing the museum to keep a tighter rein on its resources. Under current director Neal Benezra, who had been recruited from the Art Institute of Chicago in 2002, SFMOMA has seen an increase in both visitor numbers and membership while continuing to build its collection.
Collections, exhibitions, and programs
Founded in 1935, SFMOMA has built a reputation as a premier institution for contemporary art. Jackson Pollock had his first museum show there, as did Clyfford Still and Arshile Gorky. The museum has in its collection important works by Andy Warhol, Jackson Pollock, Richard Diebenkorn, Still, Henri Matisse, Paul Klee, Marcel Duchamp and Ansel Adams, among others. Annually, the museum hosts more than twenty exhibitions and over three hundred educational programs.
In 2009, the museum gained a custodial relationship for the important contemporary art collection of Doris and Donald Fisher of The Gap. The Fisher Collection includes some 1,100 works from artists such as Alexander Calder, Chuck Close, Willem de Kooning, Richard Diebenkorn, Anselm Kiefer, Ellsworth Kelly, Roy Lichtenstein, Brice Marden, Agnes Martin, Gerhard Richter, Richard Serra, Cy Twombly, and Andy Warhol, among many others. The collection will be on loan to SFMOMA for a period of 100 years.
In February 2011, the acquisition of 195 new works was announced, including paintings from Jackson Pollock, Willem de Kooning, Jasper Johns, Robert Rauschenberg and Francis Bacon. The works will be displayed along with the Fisher collection upon the museum's expansion, slated to be completed in 2016.
In 2008, the museum launched a re-designed website which enables users to browse the museum's permanent collection.
