Justin Lin
USINFO | 2013-08-14 14:31

 This article is about the director. For the economist, see Justin Yifu Lin. For the murder victim, see Lin Jun.

Justin Lin

Lin on the set of Fast Five
Chinese name 林詣彬 (Traditional)
Chinese name 林诣彬 (Simplified)
Pinyin Lín Yìbīn (Mandarin)
Origin Taiwan
Born October 1971 (age 41)
Taipei, Taiwan
Other name(s) Yipin Lin
Occupation Director

Justin Lin (traditional Chinese: 林詣彬; simplified Chinese: 林诣彬; pinyin: Lín Yìbīn) is a Taiwanese-born American film director whose films have grossed $1.2 billion worldwide.[1] He is best known for his work on Better Luck Tomorrow, The Fast and the Furious franchise and the television showCommunity.

Early life
Lin was born in Taipei, Taiwan, and grew up in a working-class neighborhood in Orange County, California.He attended University of California, San Diego for two years before transferring to UCLA, where he earned an MFA in film directing from the UCLA Film School.

Feature films
Shopping for Fangs was Justin Lin's first feature film, which he co-directed with fellow UCLA Film School alumnus, Quentin Lee when they were still at UCLA. The film stars John Cho and is considered to be a "cult classic" amongst independent Asian American films.

Lin's solo directorial debut was Better Luck Tomorrow. The film premiered at the Sundance Film Festivalin 2002. In a question and answer session following a festival screening, and in response to an audience member who asked director Lin if he thought it was irresponsible to portray Asian-Americans in such a negative light, Roger Ebert stood up and said, angrily, "You wouldn't say that to a white filmmaker". Ebert's approval of the film drew the attention of major studios, leading eventually to MTV Films buying the film for distribution, making it MTV Films very first acquisition. The film was also an official selection of the 2002Toronto International Film Festival, and was also nominated for a Grand Jury Prize at 2002 Sundance and the John Cassavetes Award at the 2004Independent Spirit Awards. The film arguably launched Lin's career into directing larger budget films, and Variety magazine also named him one of the "Top 10 Directors to Watch" in 2002.

His second feature film (and first film to be produced and distributed by a large studio, Touchstone Pictures) was Annapolis, which starredJames Franco, Tyrese Gibson, Donnie Wahlberg, and Jordana Brewster. The film cost $26 million to make, but it only ended up grossing $17 million worldwide.

His third feature film, The Fast and the Furious: Tokyo Drift, was released in North American cinemas on June 16, 2006. Despite mixed reviews,Tokyo Drift brought in over $24 million on its opening weekend. As of January 28, 2007, the domestic box office take has totalled $62,514,415 with another $95,953,877 from the foreign box office, resulting in total receipts of $158,468,292. With Tokyo Drift, Lin would establish his reputation as the director of all the succeeding The Fast and the Furious films in the franchise. He was initially approached to direct the film after the success of Better Luck Tomorrow at Sundance and after wrapping his first studio film Annapolis, but merely wanted some "conditions," as the script was about "cars drifting around Buddhist statues and geisha girls."Instead, Lin wanted to make a film that about Japan, which was "much more postmodern" as he mentioned, and intended to do a film on a more global scale that went against preconceived stereotypes.

After Tokyo Drift, Lin went on to do an independent film Finishing the Game, which is a comedic interpretation of the events surrounding the production of Bruce Lee's final film, Game of Death.It premiered at the 2007 Sundance Film Festival, and was also selected as the opening night film at the 25th San Francisco International Asian American Film Festival, the 23rd Los Angeles Asian Pacific Film Festival, the 30thAsian American International Film Festival in New York, the DisOrient Film Festival of Oregon, the Asian Film Festival of Dallas, the 2007 DC Asian Pacific American Film Festival, and the 11th Annual Vancouver Asian Film Festival.

Lin returned to direct Fast & Furious, the fourth in the film series, which opened on April 3, 2009. On its first day of release the movie grossed $30.5 million, and peaked at the top spot of the weekend box office with $70,950,500. It held the title for the highest-grossing opening weekend ever in April at that time. As of May 24, 2009 the film has grossed a total of US$345,755,411 worldwide. Lin directed and released the follow-up film Fast Five in 2011, which holds the title for the highest-grossing opening weekend ever in April, with an estimated $83.6 million, and of any car-oriented film. The prior record was held by Cars, which grossed $60.1 million. Fast Five also broke box office records for being the second highest spring opening weekend, and surpassed Fast & Furious (2009) to become the highest-grossing film in the franchise. Fast Five has grossed over $625 million worldwide, making it number 63 on the all-time worldwide list of highest-grossing films (in unadjusted dollars), and the seventh highest-grossing film of 2011.

Lin continued to direct the films of the series with its sixth installment, Fast & Furious 6. It became the largest Memorial Day Weekend gross for a Universal movie ever (a record $120 million for a worldwide total of $317 million), also nearly doubling the gross of The Hangover Part III.It also became the highest grossing Universal Pictures movie in the UK. The film's opening weekend gross in the UK was the largest out of any other of the series. Specifically in the UK, the film took $4.4 million during its opening day from 462 screens, the biggest opening day for both The Fast and the Furious franchise and Universal in that market, the second-highest opening of 2013 behind Iron Man 3 ($4.7 million), and the number 1 film of the day with 54% of the market.In the UK, the film also finished as the number one film of the weekend, taking a total of $13.8 million; this figure made it the biggest opening for the franchise, Universal, a Vin Diesel or Dwayne Johnson film, and the second-biggest opening of 2013 again behind Iron Man 3 ($17.6 million).The film has also performed relatively well critically: for instance, on Metacritic, it has "generally favorable reviews" and on Rotten Tomatoes the film scores higher than a 73% with a 95% audience approval rating.
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